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The Agony in the Garden

ca. 1849
Not on view
Delacroix chose ink wash again when he revisited the subject of Christ in the Garden of Gethsemane more than twenty years after he first treated the subject. Tone conveys meaning: a heavenly light from above combines with the glow emanating from Christ to illuminate his resolute expression against the background of encroaching darkness. In this and his other later versions of the subject (a pastel and two small paintings), the artist adhered more to the Gospel according to Matthew, in which Christ is alone and prostrate.

Artwork Details

Object Information
  • Title: The Agony in the Garden
  • Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris)
  • Date: ca. 1849
  • Medium: Brush and brown and black ink wash
  • Dimensions: Sheet: 4 7/16 × 7 5/8 in. (11.3 × 19.4 cm)
  • Classification: Drawings
  • Credit Line: Gift from the Karen B. Cohen Collection of Eugène Delacroix, 2024
  • Object Number: 2024.591.87
  • Curatorial Department: Drawings and Prints

More Artwork

More Artwork
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Studies of Horses, Eugène Delacroix French, Graphite and traces of brown ink on laid paper
Studies of Horses
Eugène Delacroix
A Bearded Man, Standing, and a Classical Head, Eugène Delacroix French, Pen and brown ink on tracing paper (mounted on heavy wove paper)
A Bearded Man, Standing, and a Classical Head
Eugène Delacroix
1815–63
Les Français peints par eux-mêmes encyclopédie morale du dix-neuvième siècle. Paris, L. Curmer, 1840-1842.
Eugène Delacroix
19th century
La Pietà, Eugène Delacroix French, Etching on chine collé; second state of two
La Pietà
Multiple artists/makers
1852
Studies of a Goat, Eugène Delacroix French, Graphite on wove paper
Studies of a Goat
Eugène Delacroix
1798–1863

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