Journal des Dames et des Modes, No. 61 (1 February 1914)
61st issue of the "Journal des dames et des modes", published on February, 1914. This issue forms part of the second half of a collection of 36 volumes of the Journal des dames et des modes (June 1, 1913 - May 20, 1914, numbers 37-72), and contains 2 unnumbered leaves of advertisements, 8 pages of text (numbered (25)-32), and three plates (numbered 137-139), the first two illustrated by Marie-Madeleine Franc-Nohain and André Stéfan. The texts in the issue reveal a new obsession of women with beauty, deepened by the vogue of beauty institutes and products to enhance their natural beauty, leaving them no excuse to not be beautiful. The fashion section explains how women have opted to cover their heads with silver and gold brocaded accessories for the evening instead of completely changing their daytime hairstyles, while adopting pearl accessories to decorate their evening gowns.
The "Journal des dames et des modes" was published in Paris by Vaugirard between June 1, 1912 and August 1, 1914. Inspired on an earlier journal of the same title (also known as "La Mésangère", which disappeared in 1839), the "Journal des dames et des modes" appealed to "the curious", lovers of rare editions, who valued fashion journals featuring limited editions with carefully executed fashion illustrations that could be equated to works of art. Each issue of the journal was made up of several texts, including poems, commentaries, and narrations of life in Paris, and hand-colored engravings or pochoir prints, executed in vivid colors and drawn by the leading artists of the day, including George Barbier, Antoine Vallée, Léon Bakst, and Umberto Brunelleschi. The combination of writings and illustrations was meant to be a reflection of the cultural atmosphere in Paris at the time, showcasing the best of intellectual, artistic and fashion creations.
The "Journal des dames et des modes" was published in Paris by Vaugirard between June 1, 1912 and August 1, 1914. Inspired on an earlier journal of the same title (also known as "La Mésangère", which disappeared in 1839), the "Journal des dames et des modes" appealed to "the curious", lovers of rare editions, who valued fashion journals featuring limited editions with carefully executed fashion illustrations that could be equated to works of art. Each issue of the journal was made up of several texts, including poems, commentaries, and narrations of life in Paris, and hand-colored engravings or pochoir prints, executed in vivid colors and drawn by the leading artists of the day, including George Barbier, Antoine Vallée, Léon Bakst, and Umberto Brunelleschi. The combination of writings and illustrations was meant to be a reflection of the cultural atmosphere in Paris at the time, showcasing the best of intellectual, artistic and fashion creations.
Artwork Details
- Title: Journal des Dames et des Modes, No. 61 (1 February 1914)
- Publisher: Published by Vaugirard , Paris
- Artist: Designed by Marie-Madelaine Franc-Nohain (French, 1878–1942)
- Author: Written by Pierre de Trévieres
- Author: Written by Duclis
- Author: Written by Henri Duvernois
- Author: Written by Monpavon
- Author: Written by Le Centyeulx
- Date: 1914
- Medium: plates: hand colored engraving
- Dimensions: Album: 9 1/4 × 5 1/2 in. (23.5 × 14 cm)
- Classifications: Books, Prints, Ornament & Architecture
- Credit Line: Gift of Mrs. Millia Davenport, 1957
- Object Number: 57.546.25
- Curatorial Department: Drawings and Prints
More Artwork
A slider containing 5 items.
Press the down key to skip to the last item.
Press the down key to skip to the last item.
André Stéfan
Vaugirard
1914
Marie-Madelaine Franc-Nohain
Vaugirard
1914
Vaugirard
1914
Multiple artists/makers
1913
Vaugirard
1913
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.