A woodland scene at dusk (recto); A study of trees and foliage (verso)

1833–45

Not on view

A leader of the Bristol School, Müller’s life was cut short by illness at the height of his powers. Influenced by the expressive naturalism of John Sell Cotman, whose works he studied in the collection of a friend, the Rev. James Bulwer, Müller sketched out of doors in all weathers. In the 1830s he traveled to Europe and the Middle East, but likely found the present subject close to home in Leigh Woods on the edge of the Avon Gorge. The masterful range of watercolor techniques, and freely applied strokes, suggest a date close to the end of the artist's career.

Artwork Details

Overview

Provenance

References

Title: A woodland scene at dusk (recto); A study of trees and foliage (verso)
Artist: William James Müller (British, Bristol 1812–1845 Bristol)
Date: 1833–45
Medium: Watercolor and gouache (bodycolor) over graphite, with reductive techniques, stopping out, and gum arabic on blue-gray paper
Dimensions: Sheet: 7 11/16 × 13 5/16 in. (19.5 × 33.8 cm)
Classification: Drawings
Credit Line: Harry G. Sperling Fund, 2017
Object Number: 2017.237a, b
Curatorial Department: Drawings and Prints

More Artwork

By William James Müller

From the same time and place

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Standing Turkish Youth, William James Müller British, Watercolor over graphite — Standing Turkish Youth
William James Müller
1844

Umbrella pines in the Villa Borghese, Rome, William James Müller British, Watercolor over graphite underdrawing, with stippling, washes and reductive techniques, selectively coated with gum arabic — Umbrella pines in the Villa Borghese, Rome
William James Müller
1839

Müller's Sketches of the Age of Francis 1st

Multiple artists/makers

1841

Study of trees by a mountain stream, William James Müller British, Watercolor and gouache (bodycolor) over graphite, with reductive techniques, stopping out, and gum arabic on blue-gray card — Study of trees by a mountain stream
William James Müller
1833–45

The Burning of the Mansion House, Queen Square, Bristol, William James Müller British, Watercolor with gouache (bodycolor) and reductive techniques — The Burning of the Mansion House, Queen Square, Bristol
William James Müller
1831–32

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