Christ raising the son of the widow outside the gate of the city of Naim

Attributed to Aliprando Caprioli Italian

After Federico Zuccaro (Zuccari) Italian

ca. 1570–1600

Not on view

Christ standing at center raises his hand above a man on a stretcher, who sits up, while a crowd of people around them watch in awe.

Artwork Details

Overview

Signatures, Inscriptions, and Markings

Provenance

Title: Christ raising the son of the widow outside the gate of the city of Naim
Artist: Attributed to Aliprando Caprioli (Italian, active Rome, 1574– 1599)
Artist: After Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42–1609 Ancona)
Date: ca. 1570–1600
Medium: Engraving
Dimensions: Sheet: 17 1/16 × 10 5/8 in. (43.4 × 27 cm)
Classification: Prints
Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
Object Number: 51.501.3343
Curatorial Department: Drawings and Prints

More Artwork

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In the same medium

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Assumption of the Virgin, Aliprando Caprioli Italian, Engraving — Assumption of the Virgin
Aliprando Caprioli
Taddeo Zuccaro
1574–99

The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving — The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
Raphael (Raffaello Sanzio or Santi)
ca. 1510–20

Bacchanal with a Wine Vat, Andrea Mantegna Italian, Engraving and drypoint — Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison) — The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green — Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27

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