Andromache in Captivity
Hector's widow Andromache is shown here arriving at Epirus where, following the Greek victory in the Trojan War, she has been awarded as a prize to Achilles's son Neoptolemus. When Leighton's painting "Captive Andromache" (Manchester City Art Gallery) was exhibited at the Royal Academy in 1888, the catalogue included these lines from Homer's "Iliad" (translated by Elizabeth Barrett Browning):
Some standing by,
Marking thy tears fall, shall say 'This is she,
The wife of that same Hector that fought best
Of all the Trojans when all fought for Troy.'
This photogravure was created for a portfolio that reproduced paintings shown at the Exposition Universelle in Paris in 1889.
Some standing by,
Marking thy tears fall, shall say 'This is she,
The wife of that same Hector that fought best
Of all the Trojans when all fought for Troy.'
This photogravure was created for a portfolio that reproduced paintings shown at the Exposition Universelle in Paris in 1889.
Artwork Details
- Title: Andromache in Captivity
- Artist: After Frederic, Lord Leighton (British, Scarborough 1830–1896 London)
- Publisher: George Barrie (Philadelphia, Pennsylvania)
- Subject: Homer (Greek, active 13th or 8th century BCE)
- Date: 1889
- Medium: Photogravure on chine collé
- Dimensions: Plate: 8 1/16 × 13 in. (20.5 × 33 cm)
Sheet: 11 9/16 × 16 13/16 in. (29.3 × 42.7 cm) - Classification: Prints
- Credit Line: Gift of Donato Esposito, 2015
- Object Number: 2015.653.1
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.