Untitled

2015
Not on view
A pioneering figure of Neo-Expressionism in the 1980s, Georg Baselitz remains one of the major proponents of figuration in contemporary art. In this diptych—part of a larger series of ink and watercolor drawings referred to as "Visit from Hokusai"—Baselitz interprets a self-portrait drawn by the Japanese artist Katsushika Hokusai (1760-1849) on the right, while he interprets his own earlier image of a prone nude body on the left. Like Hokusai at the time of his self-portrait, Baselitz made these drawings when he was in his eighties, perhaps as a reflection on his own legacy: by using animated lines and playing with the distinction between figure and ground, he draws our attention to the process and language of drawing, and also its expressive capacities, which has been a hallmark of his long career.

Artwork Details

Object Information
  • Title: Untitled
  • Artist: Georg Baselitz (German, born Deutschbaselitz, Saxony, 1938)
  • Date: 2015
  • Medium: Brush and black ink and watercolor on two sheets of paper (diptych)
  • Dimensions: 26 1/8 × 19 13/16 in. (66.3 × 50.3 cm)
    26 1/16 × 19 3/4 in. (66.2 × 50.1 cm)
  • Classification: Drawings
  • Credit Line: Gift of the artist, 2016
  • Object Number: 2016.314.1a, b
  • Rights and Reproduction: © Georg Baselitz
  • Curatorial Department: Modern and Contemporary Art

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.