Window onto Bamboo on a Rainy Day

Gion Nankai Japanese
first half of the 18th century
Not on view
Bamboo was a favored theme of Nanga artists, who were largely based in Kyoto and often had backgrounds in Confucian studies and Chinese literati theory. Nankai was the son of a physician and clan official in Wakayama Prefecture. He studied literature and Confucianism in Edo (present-day Tokyo), but belonged to the first generation of influential Nanga painters. His earliest dated painting (1719) was of bamboo, and he produced a number of studies on the same subject.

In this depiction, the artist precisely brushed leaves and jointed stalks in varying tones to evoke a rain-soaked atmosphere and dotted ink on the nearby rock for moss. His handling reflects brushwork in woodcut-illustrated Chinese painting manuals, such as the early eighteenth-century Mustard-Seed Garden Manual, that were newly available to Japanese artists. In the Chinese tradition, the strength and flexibility of bamboo are likened to the spirit of the gentleman-scholar who bends but does not break under adversity.

Artwork Details

Object Information
  • 祇園南海筆 「竹窗雨日」図
  • Title: Window onto Bamboo on a Rainy Day
  • Artist: Gion Nankai (Japanese, 1677–1751)
  • Period: Edo period (1615–1868)
  • Date: first half of the 18th century
  • Culture: Japan
  • Medium: Hanging scroll; ink on paper
  • Dimensions: Image: 52 5/8 × 22 13/16 in. (133.7 × 58 cm)
    Overall with mounting: 84 1/16 × 29 7/16 in. (213.5 × 74.8 cm)
    Overall with knobs: 84 1/16 × 31 13/16 in. (213.5 × 80.8 cm)
  • Classification: Paintings
  • Credit Line: Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015
  • Object Number: 2015.300.154
  • Curatorial Department: Asian Art

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