Still Life with Metronome (Still Life with Mandola and Metronome)
Braque worked in tandem with Pablo Picasso from 1907 until the start of World War I to develop Cubism, revolutionizing the depiction of forms in space by transforming objects through fragmentation, abstraction, and multiple perspectives. This canvas, one of five still-lifes dedicated to a musical theme that Braque made between late 1909 and early 1910, radically extends the artist’s Cubist experiments.
Today, the painting’s title specifically identifies the metronome (a musical device used to set tempo as an aid for musical practice) yet it only acquired this designation about thirty years after the work was made. Braque’s first dealer, Daniel-Henry Kahnweiler, called the composition Still Life with Mandolin, although the instrument represented in the center of the composition is the mandolin’s larger cousin, the mandola. Braque himself was a classically trained musician who was, by his own account, surrounded by musical instruments in his studio. Dozens of these populate the artist’s Cubist still-life paintings.
Still Life with Metronome dates to the early phase of Cubism’s development, often referred to as Analytic Cubism. Paintings from this period feature subject matter broken down into rudimentary shapes and overlapping planes rendered in a simplified palette of neutral colors. The trapezoidal metronome at upper left, positioned off-center, conveys depth and perspective, while the mandola emerges from a pile of dissolved forms. These instruments would have been familiar to European audiences at a time when music-making was a popular leisure activity; Braque’s decision to represent them in his canvas would have made Cubism’s pictorial innovations more legible.
Today, the painting’s title specifically identifies the metronome (a musical device used to set tempo as an aid for musical practice) yet it only acquired this designation about thirty years after the work was made. Braque’s first dealer, Daniel-Henry Kahnweiler, called the composition Still Life with Mandolin, although the instrument represented in the center of the composition is the mandolin’s larger cousin, the mandola. Braque himself was a classically trained musician who was, by his own account, surrounded by musical instruments in his studio. Dozens of these populate the artist’s Cubist still-life paintings.
Still Life with Metronome dates to the early phase of Cubism’s development, often referred to as Analytic Cubism. Paintings from this period feature subject matter broken down into rudimentary shapes and overlapping planes rendered in a simplified palette of neutral colors. The trapezoidal metronome at upper left, positioned off-center, conveys depth and perspective, while the mandola emerges from a pile of dissolved forms. These instruments would have been familiar to European audiences at a time when music-making was a popular leisure activity; Braque’s decision to represent them in his canvas would have made Cubism’s pictorial innovations more legible.
Artwork Details
- Title: Still Life with Metronome (Still Life with Mandola and Metronome)
- Artist: Georges Braque (French, Argenteuil 1882–1963 Paris)
- Date: Paris, late 1909
- Medium: Oil on canvas
- Dimensions: 31 7/8 x 21 5/16 in. (81 x 54.1 cm)
- Classification: Paintings
- Credit Line: Leonard A. Lauder Cubist Collection, Gift of Leonard A. Lauder, 2025
- Object Number: 2025.616.13
- Rights and Reproduction: © 2025 Artists Rights Society (ARS), New York
- Curatorial Department: Modern and Contemporary Art
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.