Untitled
Morris Louis, a native of Baltimore, became part of a group of Washington, D.C. painters in the mid-1950s known for their use of bright, modern colors and washes of synthetic paint. Theirs was an innovative technique likely learned during a 1953 visit to the New York studio of Helen Frankenthaler, where Louis and his colleagues were exposed to Frankenthaler's method of staining her canvases with thinned-down pigments, giving a sense of soaked or stained color where medium and support were often indiscernible from each other. Louis's series of purely abstract works include the Unfurleds (1959–61), of which the present work is an example, wherein streaks of bold pigment, poured at angles to the bottom corners of the support, leave a large area of raw, unembellished canvas at center.
Artwork Details
- Title: Untitled
- Artist: Morris Louis (American, Baltimore, Maryland 1912–1962 Washington, D.C.)
- Date: 1960
- Medium: Magna on canvas
- Dimensions: 8 ft. 8 5/8 in. × 16 ft. 9 5/8 in. (265.7 × 512.1 cm)
- Classification: Paintings
- Credit Line: The Muriel Kallis Steinberg Newman Collection, Gift of Muriel Kallis Newman, 2006
- Object Number: 2006.32.39
- Rights and Reproduction: © 1960 Morris Louis
- Curatorial Department: Modern and Contemporary Art
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.