Ewer with Wildman Finial

late 15th century
On view at The Met Cloisters in Gallery 14
These ewers have long been thought to be the pair mentioned in the 1526 and 1585 inventories of the Teutonic Knights. Both are unmarked, and the attribution to Nuremberg is based on stylistic comparisons, such as that of the small cast figures against the buttresses to similar examples by the Nuremberg goldsmith Sebastian Lindenast the Elder. The enameled and painted wild men, reminiscent of those in Albrecht Dürer's compositions, are heraldic supporters but may also be understood as symbols of virility and procreation.

Artwork Details

Object Information
  • Title: Ewer with Wildman Finial
  • Date: late 15th century
  • Geography: Made in probably Nuremberg, Germany
  • Culture: German
  • Medium: Silver gilt, enamel, and paint
  • Dimensions: 25 × 8 1/4 in., 6.8 lb. (63.5 × 21 cm, 3.1 kg)
  • Classification: Metalwork-Silver
  • Credit Line: The Cloisters Collection, 1953
  • Object Number: 53.20.1
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Cover Image for 47. Ewer

47. Ewer

Gallery 14

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NARRATOR: This pair of silver-gilt wide-mouth pitchers or ewers are decorated with Wild Man figures at the top, and have dragons for handles. They were probably used exclusively for state occasions, to hold wine for feasts, and were presented to the Order of the Teutonic Knights in around 1525. This order was one of the three powerful military and religious orders—along with the Templars and the Hospitalers—that emerged out of the Crusades. Timothy Husband.

TIMOTHY HUSBAND: The most striking feature, of course, are the wild men who stand on the tops of the ewers. They are actually in little fortresses, crenellated fortresses, but stand in a bed of what appear to be strawberries, with… you can see little red strawberries and the white blossoms against the green field. The wild men here are completely enameled and are distinguished by their body hair. They are shown holding a club, which was their typical attribute. The wild man was a mythic creature who inhabited the imagination of people throughout the Middle Ages. He appeared in a variety of guises and performed a variety of functions. He could be a fearsome creature who struck terror in the hearts of children… was thought to carry them off and eat them when they misbehaved; he was a symbol of virility-- of the indomitable Teutonic man; he’s often associated with heraldry, as he is in the case with the Teutonic ewers here. You can see that he's holding a shield. The heraldic emblazons have been removed so we don't know who's shields they originally were. But the association suggests a strong virile line of family that will endure for generations to come. He, the wild man, was also viewed particularly in the later Middle Ages, as a symbol of untrammeled nature; as the noble native who was totally in accord with nature itself, bringing man and nature into harmony and was an expression against the disillusionment of city dwellers in the increasingly poor conditions of urban living.

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