Poem on the Double Ninth festival
One of the most influential flower painters of the Ming dynasty, Chen Chun was also a gifted calligrapher specializing in free-flowing running and cursive scripts. While maintaining remarkable control of columnar spacing and the brush's natural fluctuation, his writing exudes great energy. Having internalized the disciplined stylistic features of both Zhu Yunming (1461–1527) and Wen Zhengming (1470–1559), he cultivated a deliberate casualness that avoided pointed references to earlier masters. Here, his rhythmic brushstrokes echo the cheerful mood of the poem:
This year the double ninth is exceedingly bright
and clear.
Regrettably, the hermit is not in the mountain.
My white hair is only good for being covered by
my tattered hat;
The yellow flowers are still willing to light my
withered countenance.
Thoughts of distant friends increase my sorrow;
But I rejoice that nearby fishermen still come
and go.
At leisure, I take up a cup to toast the season;
Would that these happy moments pass
more slowly!
(trans. adapted from Tseng Yu-ho Ecke)
This year the double ninth is exceedingly bright
and clear.
Regrettably, the hermit is not in the mountain.
My white hair is only good for being covered by
my tattered hat;
The yellow flowers are still willing to light my
withered countenance.
Thoughts of distant friends increase my sorrow;
But I rejoice that nearby fishermen still come
and go.
At leisure, I take up a cup to toast the season;
Would that these happy moments pass
more slowly!
(trans. adapted from Tseng Yu-ho Ecke)
Artwork Details
- 明 陳淳 行草重九詩 扇
- Title: Poem on the Double Ninth festival
- Artist: Chen Chun (Chinese, 1483–1544)
- Period: Ming dynasty (1368–1644)
- Date: 16th century
- Culture: China
- Medium: Folding fan mounted as an album leaf; ink on gold paper
- Dimensions: Image: 6 3/4 x 20 1/4 in. (17.1 x 51.4 cm)
- Classification: Calligraphy
- Credit Line: John Stewart Kennedy Fund, 1913
- Object Number: 13.100.50
- Curatorial Department: Asian Art
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.