Water Stone

Isamu Noguchi American
1986
On view at The Met Fifth Avenue in Gallery 229
Water flows over this stone fountain almost invisibly. The fountain, created especially for this space, is one of the last sculptures by Isamu Noguchi, the American-born sculptor and designer. Noguchi made the work in Japan: the light stones in the fountain bed come from the Isuzu River—which flows near Ise Shrine, one of the most sacred Shinto sites—while the dark basalt stone that forms the fountain itself is also from Japan.

The fountain and its setting form an abstract garden that evokes the close relationship between interior and exterior space. The wood screen (whose construction was approved by Noguchi) is an architectural convention dating back to the seventeenth century, whereby an interior view is focused on a specific frame of a garden. In Japan, gardens often contain a stone basin to collect water, conveyed through a bamboo pipe from a nearby mountain stream. But here, the water emerges from the depths of the rock, uniting the disparate elements of water and stone.

Artwork Details

Object Information
  • 「ウォーター・ストーン」
  • Title: Water Stone
  • Artist: Isamu Noguchi (American, Los Angeles, California 1904–1988 New York)
  • Date: 1986
  • Culture: Japan/United States
  • Medium: Basalt; on a foundation bed of naturally rounded granite stones
  • Dimensions: H. 25 in. (63.6 cm); W. 42 3/4 in. (108.6 cm)
  • Classification: Sculpture
  • Credit Line: Purchase, Anonymous Gift, 1987
  • Object Number: 1987.222
  • Rights and Reproduction: © The Isamu Noguchi Foundation and Garden Museum
  • Curatorial Department: Asian Art

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Cover Image for 8935. Water Stone

8935. Water Stone

Gallery 229

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Almost invisibly water flows over this stone fountain. The fountain is one of the last sculptures by Isamu Noguchi, the American-born sculptor and designer. He created it, especially for this space in The Metropolitan in 1986. Noguchi made the fountain in Japan—the light stones you see in the fountain's bed come from the Ise River, the site of the most important ancient Shinto shrine in Japan. The dark basalt stone that Noguchi selected and carved to form the fountain itself is from Japan as well.

This fountain and its setting is an abstract garden meant to evoke the close relationship between interior and exterior space in Japan. The wooden screen represents an architectural convention that dates back to the seventeenth century, whereby an interior view is focused on a specific frame of a garden. Your view now is constructed as though you were inside a home or temple looking out, and the sculpture itself is an abstraction of a Japanese garden. Gardens often contained a stone basin to collect water from a nearby mountain stream. Ordinarily, water would be conveyed through a bamboo pipe into the basin, but here it emerges from the depths of the rock, uniting the disparate elements of water and stone.

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