Crane in a bamboo grove

14th–early 15th century
Not on view
A favorite image in Chinese society and a familiar presence in imperial gardens as well as refined scholarly retreats, cranes were also renowned as the vehicles of Daoist immortals. Their long life span and loyalty to a single mate made them symbols of longevity and faithfulness. Here, a Manchurian crane, identified by its distinctive red forehead, strolls through a corner of the palace garden. Stopping in midstride and turning its head, the bird has just been startled by a branch of bamboo that has brushed against its tail feathers.

One of only a handful of such large-scale images of birds to survive from the late Yuan or early Ming dynasty, this painting derives its subject from a composition by the emperor Huizong (r. 1100–25), who painted a set of six cranes in different poses. The complex branch structure of the twisting bamboo and the intricate detail of the bird's plumage—with every filament of the feathers carefully delineated—reveal a level of naturalistic description that predates the more conventionalized images of cranes created by the Ming court painter Bian Wenjin (ca. 1354–1428).

Artwork Details

Object Information
  • 明 佚名 竹鶴雙清圖 軸
  • Title: Crane in a bamboo grove
  • Artist: Unidentified artist Chinese, 14th–early 15th century
  • Period: Ming dynasty (1368–1644)
  • Date: 14th–early 15th century
  • Culture: China
  • Medium: Hanging scroll; ink and color on silk
  • Dimensions: Image: 65 5/16 x 39 11/16 in. (165.9 x 100.8 cm)
    Overall with mounting: 65 5/16 x 39 11/16 in. (165.9 x 100.8 cm)
    Overall with knobs: 118 1/4 x 49 1/2 in. (300.4 x 125.7 cm)
  • Classification: Paintings
  • Credit Line: Gift of Crane Co., 1991
  • Object Number: 1991.378
  • Curatorial Department: Asian Art

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