Brasilian Caracara Eagle. Polyborus vulgaris [current name: Crested Caracara. Caracara plancus], printing plate for "The Birds of America," 1827–38, plate CLXI
Here two birds are represented, the lower one clinging to a branch and leaning back as the other dives down from upper left (upper right in the related print). Their beaks almost touch. Audubon made the related watercolor near St. Augustine, Florida on November 27, 1831. At one time this bird was known as Audubon's Caracara (Caracara cheriway auduboni). Today the species is divided into several groups and those shown here belong to the plancus group found in Florida.
This etched, aquatinted and engraved copper plate was one of 435 used to print "The Birds of America." The Edinburgh printing shop of William Home Lizars began work on the first group of ten in the fall of 1826 until labor issues forced Audubon to change course. In 1827, he employed the London engraver and printer Robert Havell, Sr. to take over, soon joined by his son Robert Havell, Jr. The latter was an expert etcher and aquatint engraver who then managed the project after his father's retirement in 1828 through 1838, when the final group of prints were published. The following year Audubon shipped the plates across the Atlantic and stored them in a New York City warehouse. By 1852 they had been moved to a vault on the artist's Upper Manhattan property. After his death they were owned by a mining and metal business, Phelps, Dodge & Co., whose president William E. Dodge gave six to the Met in 1876. Nickel-plated to preserve the surface, with brass paint added to make the lines readable, the group was displayed in a gallery off the entrance hall at the museum's early home at 128 West 14th Street.
This etched, aquatinted and engraved copper plate was one of 435 used to print "The Birds of America." The Edinburgh printing shop of William Home Lizars began work on the first group of ten in the fall of 1826 until labor issues forced Audubon to change course. In 1827, he employed the London engraver and printer Robert Havell, Sr. to take over, soon joined by his son Robert Havell, Jr. The latter was an expert etcher and aquatint engraver who then managed the project after his father's retirement in 1828 through 1838, when the final group of prints were published. The following year Audubon shipped the plates across the Atlantic and stored them in a New York City warehouse. By 1852 they had been moved to a vault on the artist's Upper Manhattan property. After his death they were owned by a mining and metal business, Phelps, Dodge & Co., whose president William E. Dodge gave six to the Met in 1876. Nickel-plated to preserve the surface, with brass paint added to make the lines readable, the group was displayed in a gallery off the entrance hall at the museum's early home at 128 West 14th Street.
Artwork Details
- Title: Brasilian Caracara Eagle. Polyborus vulgaris [current name: Crested Caracara. Caracara plancus], printing plate for "The Birds of America," 1827–38, plate CLXI
- Series/Portfolio: Birds of America, plate CLXI
- Artist: After John James Audubon (American (born Haiti), Les Cayes (Saint-Domingue) 1785–1851 New York)
- Etcher: Etched and aquatinted by Robert Havell Jr. (American (born England), Reading 1793–1878 Tarrytown, New York)
- Date: 1833
- Medium: Printing plate: engraving, etching and aquatint on copper, nickel plated and filled with brass paint
- Dimensions: plate: 39 1/4 x 26 1/8 in. (99.7 x 66.4 cm)
- Classification: Plates
- Credit Line: Gift of William E. Dodge Jr., 1876
- Object Number: 76.1.3
- Curatorial Department: Drawings and Prints
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