Brown Pelican. Pelicanus fuscus [current name: Brown Pelican. Pelecanus occidentalis], printing plate for "The Birds of America," 1827–38, plate CCCCXXI
A juvenile Brown Pelican appears here in profile, beak open and standing on one leg atop on a small rise before a shoreline, water surrounding a sandy shoal, distant boat and lighthouse. Audubon made the related watercolor painting in 1821 with the landscape perhaps added years later by his son Victor.
This etched, aquatinted and engraved copper plate was one of 435 used to print "The Birds of America." The Edinburgh printing shop of William Home Lizars began work on the first group of ten in the fall of 1826 until labor issues forced Audubon to change course. In 1827, he employed the London engraver and printer Robert Havell, Sr. to take over, soon joined by his son Robert Havell, Jr. The latter was an expert etcher and aquatint engraver who then managed the project after his father's retirement in 1828 through 1838, when the final group of prints were published. The following year Audubon shipped the plates across the Atlantic and stored them in a New York City warehouse. By 1852 they had been moved to a vault on the artist's Upper Manhattan property. After his death they were owned by a mining and metal business, Phelps, Dodge & Co., whose president William E. Dodge gave six to the Met in 1876. Nickel-plated to preserve the surface, with brass paint added to make the lines readable, the group was displayed in a gallery off the entrance hall at the museum's early home at 128 West 14th Street.
This etched, aquatinted and engraved copper plate was one of 435 used to print "The Birds of America." The Edinburgh printing shop of William Home Lizars began work on the first group of ten in the fall of 1826 until labor issues forced Audubon to change course. In 1827, he employed the London engraver and printer Robert Havell, Sr. to take over, soon joined by his son Robert Havell, Jr. The latter was an expert etcher and aquatint engraver who then managed the project after his father's retirement in 1828 through 1838, when the final group of prints were published. The following year Audubon shipped the plates across the Atlantic and stored them in a New York City warehouse. By 1852 they had been moved to a vault on the artist's Upper Manhattan property. After his death they were owned by a mining and metal business, Phelps, Dodge & Co., whose president William E. Dodge gave six to the Met in 1876. Nickel-plated to preserve the surface, with brass paint added to make the lines readable, the group was displayed in a gallery off the entrance hall at the museum's early home at 128 West 14th Street.
Artwork Details
- Title: Brown Pelican. Pelicanus fuscus [current name: Brown Pelican. Pelecanus occidentalis], printing plate for "The Birds of America," 1827–38, plate CCCCXXI
- Series/Portfolio: Birds of America, plate CCCCXXI
- Artist: After John James Audubon (American (born Haiti), Les Cayes (Saint-Domingue) 1785–1851 New York)
- Etcher: Etched and aquatinted by Robert Havell Jr. (American (born England), Reading 1793–1878 Tarrytown, New York)
- Date: 1838
- Medium: Printing plate: engraving, etching and aquatint on copper, nickel plated and filled with brass paint
- Dimensions: plate: 26 1/4 x 39 3/16 in. (66.6 x 99.5 cm)
- Classification: Plates
- Credit Line: Gift of William E. Dodge Jr., 1876
- Object Number: 76.1.1
- Curatorial Department: Drawings and Prints
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