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Apollo and Daphne

ca. 1538–40
Not on view
Schiavone learned to etch by studying the prints of Parmigianino, the first Italian artist to realize the medium's potential for approximating the spontaneity of drawing. Even more experimental and loose in his approach than his mentor, Schiavone created a number of lively depictions of mythological scenes. Here, the seeming swiftness of his line conveys Daphne's transformation where her fingers turn into branches and her toes root into the ground beside her father, the river god Peneus.

Artwork Details

Object Information
  • Title: Apollo and Daphne
  • Artist: Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice)
  • Date: ca. 1538–40
  • Medium: Etching
  • Dimensions: sheet: 5 3/4 x 3 7/8 in. (14.6 x 9.9 cm)
  • Classification: Prints
  • Credit Line: Harris Brisbane Dick Fund, 1926
  • Object Number: 26.70.3(195)
  • Curatorial Department: Drawings and Prints

More Artwork

More Artwork
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The mystic marriage of Saint Catherine, Andrea Schiavone (Andrea Meldola) Italian, Etching, a late worn impression
The mystic marriage of Saint Catherine
Andrea Schiavone (Andrea Meldola)
ca. 1550
The Virgin and Child accompanied by saints, Andrea Schiavone (Andrea Meldola) Italian, Etching, top corners trimmed and made up
The Virgin and Child accompanied by saints
Andrea Schiavone (Andrea Meldola)
ca. 1540–50
Various Saints Witnessing John the Baptist's Homage to the Infant Christ, Andrea Schiavone (Andrea Meldola) Italian, Etching
Various Saints Witnessing John the Baptist's Homage to the Infant Christ
Andrea Schiavone (Andrea Meldola)
The return of the prodigal son who falls at his father's feet, Andrea Schiavone (Andrea Meldola) Italian, Etching
The return of the prodigal son who falls at his father's feet
Andrea Schiavone (Andrea Meldola)
ca. 1536–40
Moses and the burning bush, Andrea Schiavone (Andrea Meldola) Italian, Etching
Moses and the burning bush
Andrea Schiavone (Andrea Meldola)
ca. 1544–47

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