Armor for Man and Horse

Armorer Kunz Lochner German
dated 1548, with later restorations
On view at The Met Fifth Avenue in Gallery 371
Kunz Lochner was one of the few Nuremberg armorers of the mid-sixteenth century to achieve an international reputation. His patrons included the Holy Roman Emperor, the dukes of Saxony, and the king of Poland. This man's armor bears the mark of Nuremberg; Lochner's personal mark, a rampant lion; and the date 1548. The armor was originally part of a small garniture that included exchange elements for field and tournament use. Restorations include the cuirass and the gauntlets.

The horse armor bears only the Nuremberg mark but can be attributed to Lochner on stylistic grounds. The elaborately embossed and etched decoration of the peytral (chest defense) includes an abbreviated inscription that may be interpreted: 1548 K[rist] I[ch] T[rau] G[anz] V[nd] G[ar] H[ans] E[rnst] H[erzog] Z[u] Sachsen (1548 In Christ I trust wholly, Hans [Johann] Ernst, Duke of Saxony). Duke Johann Ernst (1521–1553) may have commissioned the horse armor for his attendance at the Diet of Augsburg, a political assembly of the German nobility called in 1548 by Charles V to deal with the crisis of the Reformation.

Artwork Details

Object Information
  • Title: Armor for Man and Horse
  • Armorer: Kunz Lochner (German, Nuremberg, 1510–1567)
  • Date: dated 1548, with later restorations
  • Geography: Nuremberg
  • Culture: German, Nuremberg
  • Medium: Steel, leather, copper alloy, textile
  • Dimensions: man's armor: Wt. approx. 56 lb. (25.4 kg); horse armor with saddle: Wt. 92 lb. (41.7 kg)
  • Classification: Armor for Horse and Man
  • Credit Line: man's armor: Bashford Dean Memorial Collection, Gift of Mrs. Bashford Dean, 1929; mail sleeves: Bashford Dean Memorial Collection, Funds from various donors, 1929; horse armor: Rogers Fund, 1932
  • Object Number: 29.151.2a–s; 29.158.183–.184; 32.69a–q
  • Curatorial Department: Arms and Armor

Audio

Cover Image for 4406. Armor for Man and Horse, Part 1

4406. Armor for Man and Horse, Part 1

0:00
0:00

LAROCCA: This is a complete armor for man and horse made by the German armorer Kunz Lochner of Nuremberg.

NARRATOR: Donald Larocca.

LAROCCA: This is interesting for many reasons. One thing that is very important about it is there are so few armors preserved that are actually for man and horse that were made by the same maker. Kunz Lochner was active in Nuremberg in the middle of the sixteenth century. Nuremberg was a very well known center for the production of the type of armor known as munitions armor that was used by the rank and file troopers. This on the other hand is an armor very finely decorated that was made for a very highly placed patron.

And Lochner was one of the few armorists in Nuremberg who had an international reputation, who was working for patrons throughout Europe. It gives you a wonderful impression of what a fully armored man on horseback, the image of a knight in shining armor, was all about. The lance that he’s holding is a modern lance that was made to give the impression of what a fully armored cavalryman would have been carrying. It’s just a wooden lance now; it would have had a steel tip on it.

The chest piece of the horse is called a peytrel. And it does have this abbreviated expression and it’s been interpreted a few different ways. First of all, it has the date: 1548. And then these letters are there are just K I T G U and so on. And one interpretation of that is the German expression, “Krist Ich Trau Ganz und Gar, Hans Ernst Herzog zu Sachsen.” Which would translate to, “In Christ I trust wholly, Johann Ernst Duke of Saxony.”

NARRATOR: To hear from curator Stuart Pyhrr about the other sets of armor for man and horse you see here, press the green ‘PLAY’ button.

    Listen to more about this artwork

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback