The Club; in a Dialogue between Father and Son

Various artists/makers

1817

Not on view

Artwork Details

Title: The Club; in a Dialogue between Father and Son
Author: James Puckle (British, ca. 1667–1724)
Illustrator: John Thurston (British, Scarborough, North Yorkshire 1774–1822 Holloway, London)
Engraver: Robert Branston (British, Lynn, Norfolk 1778–1827 Brompton, London)
Engraver: John Thompson (British, Manchester 1785–1866 London)
Engraver: Henry White (British, ca. 1790–1861)
Engraver: William Hughes (British, Liverpool 1793–1825 Lambeth, London)
Engraver: Charlton Nesbit (British, Swalwell 1775–1838 London)
Engraver: Mary Byfield (British, baptized 1795–1871)
Engraver: G. Thurston, Jun. (British, active early 19th century)
Engraver: William Harvey (British, Newcastle-upon-Tyne 1796–1866 Richmond, Surrey)
Sitter: James Puckle (British, ca. 1667–1724)
Engraver: Portrait engraved by Thomas Bragg (British, ca. 1780–1840)
Artist: Portrait after original engraving by George Vertue (British, London 1684–1756 London)
Artist: Portrait after an original painting by John Baptist Closterman (British, ca. 1656–ca. 1713)
Publisher: John and Arthur Arch (London)
Publisher: Longman, Hurst, Rees, Orme and Brown
Publisher: J. Major (London)
Publisher: Robert Triphook (British, active 1814–23)
Printer: John Johnson (London)
Date: 1817
Medium: Illustrations: wood engraving
Dimensions: 10 7/16 x 7 5/16 x 1 3/8 in. (26.5 x 18.6 x 3.5 cm)
Classification: Books
Credit Line: Gift of Sinclair Hamilton, 1952
Object Number: 52.561.4
Curatorial Department: Drawings and Prints

More Artwork

In the same medium

From the same time and place

A slider containing 5 items.
Press the down key to skip to the last item.

The Young Artists' Companion; or, Drawing-Book of Studies and Landscape Embellishments : comprising a great variety of the most picturesque objects required in the various compositions of landscape scenery, arranged as progressive lessons, David Cox British, Illustrations: soft ground etching, aquatint, some hand-coloring — The Young Artists' Companion; or, Drawing-Book of Studies and Landscape Embellishments : comprising a great variety of the most picturesque objects required in the various compositions of landscape scenery, arranged as progressive lessons
Multiple artists/makers
1825

Basle, part I, plate 5 from "Liber Studiorum", Joseph Mallord William Turner British, Etching and mezzotint; first state of six (Finberg) — Basle, part I, plate 5 from "Liber Studiorum"
Multiple artists/makers
June 11, 1807

Lake of Thun, Swiss, part III, plate 15 from "Liber Studiorum", Joseph Mallord William Turner British, Etching, drypoint and mezzotint; first state of three — Lake of Thun, Swiss, part III, plate 15 from "Liber Studiorum"
Joseph Mallord William Turner
Charles Turner
June 10, 1808

The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye), Thomas Girtin British, Soft-ground etching and aquatint — The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye)
Multiple artists/makers
1803

The Chamber Idyll, Edward Calvert British, Wood engraving — The Chamber Idyll
Edward Calvert
1831

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.