(Rudolf Meyer's Todten-dants. Ergäntzet und herausgegeben von C. Meyern, Malern in Zürich, im Jahre 1650) Sterbensspiegel, das ist sonnenklare Vorstellung menschlicher Nichtigkeit durch alle Ständ' und Geschlechter

Various artists/makers

1650

Not on view

Artwork Details

Overview

Provenance

Catalogue Raisonné

Title: (Rudolf Meyer's Todten-dants. Ergäntzet und herausgegeben von C. Meyern, Malern in Zürich, im Jahre 1650) Sterbensspiegel, das ist sonnenklare Vorstellung menschlicher Nichtigkeit durch alle Ständ' und Geschlechter
Artist: Conrad Meyer (Swiss, Zürich 1618–1689 Zürich)
Author: Rudolf Meyer (Swiss, Zurich 1605–1638 Zurich)
Printer: Johann Jacob Bodmer (Swiss)
Publisher: Conrad Meyer (Swiss, Zürich 1618–1689 Zürich)
Date: 1650
Medium: Etchings
Dimensions: Overall: 7 3/4 x 6 5/16 x 11/16 in. (19.7 x 16 x 1.8 cm)
Classification: Books
Credit Line: Harris Brisbane Dick Fund, 1948
Object Number: 48.2
Curatorial Department: Drawings and Prints

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The Devil's Kitchen Visited by an Angel, Conrad Meyer Swiss, Pen and gray ink, brush and gray wash — The Devil's Kitchen Visited by an Angel
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Flying Putti, Surrounding Archangel Raphael, Conrad Meyer Swiss, Pen and brown and black ink, brush and gray and brown wash, heightened with white — Flying Putti, Surrounding Archangel Raphael
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Allegory of the Transience of Life, Conrad Meyer Swiss, Pen and black ink — Allegory of the Transience of Life
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The Wild Man, Conrad Meyer Swiss, Pen and black and white ink, brush and brown wash, heightened with white gouache, over traces of graphite — The Wild Man
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Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching — Scrapbook of Drawings and Prints
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