The Young David Playing the Harp
Delicately rendered in black chalk, this drawing constitutes a study for the figure of the Young David playing the harp frescoed by Michelangelo Anselmi in monochrome on the entrance arch of the western apse of the church of Santa Maria della Steccata in Parma. The placement of the figure, seated in a niche rounded at the top and bottom, is directly inspired by the same motif in Parmigianino's unfinished decoration in the vault of the eastern apse of the Steccata, a project documented in a celebrated double-sided sheet in the Metropolitan Museum collection (inv. 62.135). Anselmi was, in fact, one of the artists commissioned in 1548 to continue the decoration of the church after Parmigianino's disgrace and death in 1540. Though his formal dependence on Parmigianino's example is evident, Anselmi’s style as a draughtsman is here strikingly different in its soft pictorial ‘chiaroscuro’ shading. (FR)
Artwork Details
- Title: The Young David Playing the Harp
- Artist: Michelangelo Anselmi (Italian, Siena or Lucca (?) 1492–1556 Parma)
- Date: ca. 1548–50
- Medium: Black chalk, brush and gray wash, on blue paper; squared in pen and brown ink
- Dimensions: 15-3/16 x 5-9/16 in. (38.6 x 14.1 cm)
- Classification: Drawings
- Credit Line: Rogers Fund, 1961
- Object Number: 61.123.2
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.