Reproduction of a Scythian plaque with animal combat
Electrotyping is a chemical process used historically to make high quality reproductions of works of art. During the Victorian era, one of the main producers was Elkington & Co. of Birmingham. They were licensed by the South Kensington Museum of London (now the Victoria & Albert Museum) to produce replicas of objects from royal treasuries and museums across Europe. The electrotypes approved by the Department of Science and Art, a British governmental agency, carry Messrs. Elkington’s mark in the form of an official stamp in metal.
This modern electrotype is a copy of a gold plaque in the Hermitage Museum, St Petersburg. The original was found in 1876 in one of the burial mounds known as the Kurgans of the Seven Brothers (no. 3), in the Taman peninsula. The plaque, originally applied to a wooden support, possibly a vase, is decorated with an animal combat scene - a winged panther attacking a goat - denoting the influence of Iranian art, whereas the egg-and-dart border, the palmette, and the lotus are considered Greek motifs.
In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
This modern electrotype is a copy of a gold plaque in the Hermitage Museum, St Petersburg. The original was found in 1876 in one of the burial mounds known as the Kurgans of the Seven Brothers (no. 3), in the Taman peninsula. The plaque, originally applied to a wooden support, possibly a vase, is decorated with an animal combat scene - a winged panther attacking a goat - denoting the influence of Iranian art, whereas the egg-and-dart border, the palmette, and the lotus are considered Greek motifs.
In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
Artwork Details
- Title: Reproduction of a Scythian plaque with animal combat
- Date: 19th century, after 5th century BCE original
- Medium: Electrotype
- Dimensions: 3 11/16 × 4 3/16 × 9/16 in. (9.4 × 10.6 × 1.4 cm)
- Credit Line: Gift of Henry G. Marquand, 1883
- Object Number: 83.18.224
- Curatorial Department: Ancient West Asian Art
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ca. 4th century BCE
Achaemenid
ca. 6th–4th century BCE
Assyrian
ca. 9th–8th century BCE
Assyrian
ca. 8th century BCE
Iran
ca. 7th–6th century BCE
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