Figure: Female
Returned to lender
This work of art was on loan to the museum and has since been returned to its lender.Following Quinn’s death in 1924, a quarrel broke out regarding the dispersion of his collection, which in addition to African art included thousands of works ranging from modern art to antiquities and Chinese paintings. As a consequence, the collection was in large part sold privately, and many works today remain unidentified. Research has demonstrated that his African holdings comprised forty works; half of these, including this Baga female figure from coastal Guinea, were acquired in 1926 by the University of Pennsylvania Museum.
Featured here in a 1919 photograph by Charles Sheeler, the figure entered Quinn's collection in 1916. Described as "Idol Maternity from Guinea" in his records, he certainly never knew that, in their original context, such works embodied the Baga ideal of womanhood and motherhood.
Featured here in a 1919 photograph by Charles Sheeler, the figure entered Quinn's collection in 1916. Described as "Idol Maternity from Guinea" in his records, he certainly never knew that, in their original context, such works embodied the Baga ideal of womanhood and motherhood.
Artwork Details
- Title: Figure: Female
- Geography: Guinea
- Culture: Baga peoples
- Medium: Wood
- Dimensions: H. x W. x D.: 18 11/16 x 5 3/8 x 4 15/16 in. (47.5 x 13.6 x 12.5 cm)
- Classification: Wood-Sculpture
- Credit Line: Figure: University of Pennsylvania Museum, Philadelphia (AF 5374)
Photograph: Charles Sheeler, 1919, Gelatin silver print, plate XIII of the John Quinn Album of African Art. The Lane Collection, Museum of Fine Arts, Boston (L-R 2689.2001) - Curatorial Department: The Michael C. Rockefeller Wing