Chair gold weight

18th–19th century
On view at The Met Fifth Avenue in Gallery 341
Beginning in the fourteenth century, the Akan engaged in extensive trade with both the Portuguese and Spanish along the west coast of Africa, which subsequently came to be known as the "Gold Coast." The Akan used differing and complicated systems of measurement for trade with European and Islamic traders. In Akan society, gold was intimately associated with authority, royalty, and the sacred. Its lavish use in regalia and ornament was a prominent feature of Akan court ceremony. This and two other related gold weights reflect the wealth and breadth of Akan metallurgic virtuosity. They take the form of a chair, a bird with its head turned back to its tail, known as sankofa, and a chicken head.

In Akan society, a great deal of importance is placed on verbal eloquence and the artful interpretation of proverbs in expression. Proverbs are the source of imagery for many forms of Akan visual art, including gold weights. The akonkromfi chair, with x-form legs, was primarily used on festive occasions and most likely modeled after a European folding-chair prototype popular in the seventeenth century. Stools and, by association, chairs are the primary components of Akan royal regalia. The most famous Akan stool is the Sika Dwa Kofi, which is said to have descended from heaven and to have been solid gold.

Artwork Details

Object Information
  • Title: Chair gold weight
  • Artist: Akan artist
  • Date: 18th–19th century
  • Geography: Ghana; Côte d’Ivoire
  • Culture: Akan
  • Medium: Brass
  • Dimensions: H. 1 7/8 × W. 1 1/8 × D. 1 1/4 in. (4.8 × 2.9 × 3.2 cm)
  • Classification: Metal-Implements
  • Credit Line: Gift of Ernst Anspach, 1994
  • Object Number: 1994.312.12
  • Curatorial Department: The Michael C. Rockefeller Wing

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