The Sapling
Between the world wars, Renger-Patzsch was a major champion of straight photography in Germany and an advocate for a modern aesthetic style known as Neue Sachlichkeit (New Objectivity). Known for his tightly cropped, sharply focused images of plants,
animals, landscapes, and industrial subjects, he believed that photography’s chief value lay in its ability to render with absolute precision the texture and detail of physical objects. Critics praised the “absolute realism” of his photography, particularly its capacity to reveal “nature more intensely than nature reveals herself.” This quiet study of a sapling outlined against a landscape with melting snow is one of Renger-Patzsch’s most celebrated images—a harbinger of regeneration and a stunning example of photography’s crystalline power of description.
animals, landscapes, and industrial subjects, he believed that photography’s chief value lay in its ability to render with absolute precision the texture and detail of physical objects. Critics praised the “absolute realism” of his photography, particularly its capacity to reveal “nature more intensely than nature reveals herself.” This quiet study of a sapling outlined against a landscape with melting snow is one of Renger-Patzsch’s most celebrated images—a harbinger of regeneration and a stunning example of photography’s crystalline power of description.
Artwork Details
- Title: The Sapling
- Artist: Albert Renger-Patzsch (German, Wurzburg 1897–1966 Wamel)
- Date: 1929
- Medium: Gelatin silver print
- Dimensions: Image: 22.6 × 16.3 cm (8 7/8 × 6 7/16 in.)
- Classification: Photographs
- Credit Line: Twentieth-Century Photography Fund, 2013
- Object Number: 2013.68
- Rights and Reproduction: © 2025 Artists Rights Society (ARS), New York
- Curatorial Department: Photographs
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Albert Renger-Patzsch
ca. 1926
Albert Renger-Patzsch
1927
Albert Renger-Patzsch
1930
Albert Renger-Patzsch
ca. 1924
Albert Renger-Patzsch
1920s–30s
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