John Henning and Alexander Handyside Ritchie, Sculptors

Photography Studio Hill and Adamson British, Scottish
David Octavius Hill British, Scottish
Robert Adamson British, Scottish
ca. 1845
Not on view
Although neither Henning nor Ritchie was present at the historic signing of the Deed of Demission, Hill wanted to include his sculptor friends in his painting of the event. Like many other calotypes made early in the Hill and Adamson partnership, this one served as a model for the finished painting: Henning and Ritchie can be seen in just these poses in the skylight of Tanfield Hall, at the upper left corner of Hill's painting.

Artwork Details

Object Information
  • Title: John Henning and Alexander Handyside Ritchie, Sculptors
  • Photography Studio: Hill and Adamson (British, active 1843–1848)
  • Artist: David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland)
  • Artist: Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland)
  • Date: ca. 1845
  • Medium: Salted paper print from paper negative
  • Dimensions: 20.5 x 16.3 cm (8 1/16 x 6 7/16 in. )
  • Classification: Photographs
  • Credit Line: The Rubel Collection, Purchase, Lila Acheson Wallace Gift, 1997
  • Object Number: 1997.382.22
  • Curatorial Department: Photographs

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.