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Sardonyx cameo portrait of the Emperor Augustus

ca. 41–54 CE
On view at The Met Fifth Avenue in Gallery 166
The cameo depicts Augustus as a triumphant demigod wearing the aegis, a cape usually associated with Jupiter and Minerva. Here, it is decorated with the head of a wind god, perhaps intended as a personification of the summer winds that brought the corn fleet from Egypt to Rome and so an oblique reference to Augustus’s annexation of Egypt after the defeat of Mark Antony and Cleopatra at Actium in 31 B.C.

Artwork Details

Object Information
  • Title: Sardonyx cameo portrait of the Emperor Augustus
  • Period: Early Imperial, Claudian
  • Date: ca. 41–54 CE
  • Culture: Roman
  • Medium: Sardonyx
  • Dimensions: 1 7/16 × 1 1/8 × 5/16 in. (3.7 × 2.9 × 0.8 cm)
  • Classification: Gems
  • Credit Line: Purchase, Joseph Pulitzer Bequest, 1942
  • Object Number: 42.11.30
  • Curatorial Department: Greek and Roman Art

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Cover Image for 1074. Sardonyx cameo portrait of the Emperor Augustus

1074. Sardonyx cameo portrait of the Emperor Augustus

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These two cameos—made of semiprecious stone—are carved with portraits of the Emperor Augustus, who ruled Rome from 27 B.C. to 14 A.D.

Look at the cameo that depicts the Emperor crowned with a laurel wreath—a symbol of victory. Notice how he proudly turns his head toward the tip of his spear. Over his left shoulder, he wears an aegis, an extraordinary cape made of snake-like skin, and one that is usually associated with the Greek gods, Zeus and Athena. Look for the head of Medusa, on the right, and the head of a wind god, on the left, both emblazoned on the Emperor’s cape.

Augustus carefully cultivated his image as the divine ruler of the Roman Empire. Hundreds of statues, reliefs, coins, inscriptions, and cameos, like this one, overtly portray him with the attributes of a demigod.

On the other cameo, you’ll notice that the portrait of Augustus is supported by a double-headed Capricorn, a goat with two heads and a fish tail. Suetonius, a second-century Roman biographer, describes how the Emperor adopted this constellation as his own sign of good fortune. It frequently appears on the coins of Augustus.

Augustus promoted himself as the sole ruler and benefactor of the entire Roman world. His image of the Roman Emperor as a divinity, and of the Roman Empire as unending, was the legacy that he handed on to his successors, the Julio-Claudian dynasty.

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