Mosaic floor panel

2nd century CE
On view at The Met Fifth Avenue in Gallery 168
The rectangular panel represents the entire decorated area of a floor and was found together with another mosaic (now in the Baltimore Museum of Art) in an olive grove at Daphne-Harbiye in 1937. In Roman times, Daphne was a popular holiday resort, used by the wealthy citizens and residents of Antioch as a place of rest and refuge from the heat and noise of the city. American excavations at Daphne in the late 1930s uncovered the remains of several well-appointed houses and villas, including the one that contained this mosaic. At its center is a panel (emblema) with the bust of a woman, decked out with a wreath of flowers around her head and a floral garland over her left shoulder. Traditionally identified as Spring, the figure is probably the representation of a more generic personification of abundance and good living, well suited to the luxurious atmosphere created at Daphne by its rich patrons.

Artwork Details

Object Information
  • Title: Mosaic floor panel
  • Period: Imperial
  • Date: 2nd century CE
  • Culture: Roman
  • Medium: Stone, tile, and glass
  • Dimensions: H. 89 in. (226.1 cm); width 99 in. (251.5 cm)
  • Classification: Miscellaneous-Mosaic
  • Credit Line: Purchase, Joseph Pulitzer Bequest, 1938
  • Object Number: 38.11.12
  • Curatorial Department: Greek and Roman Art

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Cover Image for 1076. Mosaic floor panel

1076. Mosaic floor panel

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Mosaic floors, like this one, were part of everyday life in ancient Rome. They were a common feature of Roman houses and public buildings. This mosaic panel probably decorated the entranceway to the central courtyard of a Roman villa. The mosaic was discovered in an olive grove at the site of Daphne, a popular vacation spot in Roman times. Wealthy Romans living in Antioch, the major city in Roman Syria, flocked to Daphne to escape the noise and heat of the big city. Here, they built vacation homes, and decorated them with colorful and ornate wall paintings and mosaic floors.

The Romans, however, made a distinction between mosaics and wall paintings like the ones you might have seen in the other galleries. They considered mosaic a more public form of art, one that the master or mistress of the house could share with visitors. As a respectable Roman, you really would not show a visitor the wall paintings that decorated your bedroom and other private areas of your home. On the other hand, you’d very likely call attention to mosaics, like this one, in your courtyard or dining area where you entertained your guests. These elaborate mosaic floors were another way to impress others with one’s wealth and social standing.

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