Marble statue of Aphrodite, the so-called Venus Genetrix

Adaptation of work attributed to Kallimachos
1st–2nd century CE
On view at The Met Fifth Avenue in Gallery 153
Copy of a Greek bronze statue of the late 5th century B.C. attributed to Kallimachos

This goddess wears a sleeveless, ungirt chiton of thin clinging material that reveals every curve of her body. Her pose—between standing and walking—was developed by the sculptor Polykleitos in the mid-fifth century B.C. She originally lifted one edge of her himation (cloak) with her right hand and probably held an apple in the other.

Artwork Details

Object Information
  • Title: Marble statue of Aphrodite, the so-called Venus Genetrix
  • Artist: Adaptation of work attributed to Kallimachos
  • Period: Imperial
  • Date: 1st–2nd century CE
  • Culture: Roman
  • Medium: Marble
  • Dimensions: H. 59 1/2 in. (151.1 cm)
  • Classification: Stone Sculpture
  • Credit Line: Purchase, 1932
  • Object Number: 32.11.3
  • Curatorial Department: Greek and Roman Art

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 Genetrix

  1. Marble statue of Aphrodite, the so-called Venus Genetrix

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Aphrodite, goddess of love, is the subject of this statue, a Roman replica of an earlier Greek work. Battered and discolored as it now is, it still preserves the grace it must have had when it was whole. Aphrodite is standing, shifting her weight onto her left leg. This subtle movement fills the body with animation, as though she were about to step forward. She wears a thin dress that shows almost every contour beneath. The revealing cloth clings to her thighs. One breast is covered and the other is bare, but you see there is little difference between them.

Not all of Aphrodite's clothes are so thin as to be transparent. Walk around to her left and look at the heavy folds that fall from her arm. These must belong to a mantle she wore over her gossamer linen dress and held up behind her right shoulder.

Aphrodite looks at once both dressed and nude, seductive and appropriate. Her bare left breast may be an indication of motherhood as a consequence of lovemaking. The sensuality of the figure fits the character of Aphrodite, who stands for all the feminine aspects of love.

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