Terracotta Panathenaic prize amphora

Attributed to the Euphiletos Painter
ca. 530 BCE
On view at The Met Fifth Avenue in Gallery 153
Obverse, Athena
Reverse, footrace

The Euphiletos Painter was trained in the black-figure technique. It is interesting to compare the firm, deliberate incision in his works with the looser, freer line of artists like the Berlin Painter. The footrace is one of the earliest known events in the Panathenaic games.

Artwork Details

Object Information
  • Title: Terracotta Panathenaic prize amphora
  • Artist: Attributed to the Euphiletos Painter
  • Period: Archaic
  • Date: ca. 530 BCE
  • Culture: Greek, Attic
  • Medium: Terracotta; black-figure
  • Dimensions: H. 24 1/2 in. (62.2 cm)
  • Classification: Vases
  • Credit Line: Rogers Fund, 1914
  • Object Number: 14.130.12
  • Curatorial Department: Greek and Roman Art

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1017. Terracotta Panathenaic prize amphora

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Every four years, games were held at the Panathenaic festival, a celebration in honor of Athena, patron goddess of Athens. Winners in these games received—as prizes—Panathenaic amphoras, vessels of the distinctive shape and size you see here. Each amphora was filled with forty-two quarts of olive oil from groves sacred to Athena.

The production of Panathenaic amphoras began in the sixth century B.C., and continued for several centuries. Athena always appeared on one side, according to a traditional formula. On the other side of the vase, painters depicted the event for which the prize was won. In this case five runners compete in a footrace, probably a sprint. Greek athletes exercised in the nude; and so they offered artists the opportunity to represent the human body in all its beauty, and in action.

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