English
Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale
This painting of a seated woman playing a kithara is from Room H, either a dining room (triclinium) or a room for social gatherings (oecus), in the villa at Boscoreale. Each of the paintings that originally adorned this room derives from the Greek tradition of megalographia, or large-scale painting, about which so much was written in antiquity; Apollinaris of Sidonius, Petronius in the Satyricon, and Vitruvius all shed light on the use of megalographia in Roman villas.
In this fresco, the kithara player is depicted as a plump young woman clothed in a purple chiton and white himation. She is adorned with a bracelet, earrings, and headband with a central medallion, all of gold. A small figure of Atlas supports the arm of her elaborately carved chair that originally was lacquered a deep lustrous red. The instrument she plays is not a simple lyre, but a gilded kithara, a large concert instrument played by Apollo and professional musicians. Behind the seated woman stands a small girl wearing a sleeveless purple chiton. She, too, is adorned with a gold headband, bracelet, and loop earrings. Like portrait figures, the woman and the girl gaze directly at the spectator.
Most recently it has been suggested that the pair may represent a Macedonian queen, or princess, and her daughter or younger sister. The gilded kithara and richly adorned, thronelike chair, as well as the carefully rendered gold jewelry and headbands, give the impression of royal personage. Whatever the exact subject, this painting and others in the villa were admired as excellent copies of Hellenistic art that emphasized the erudition and worldliness of the villa's owner.
The Villa of P. Fannius Synistor at Boscoreale: A Virtual Tour
In this fresco, the kithara player is depicted as a plump young woman clothed in a purple chiton and white himation. She is adorned with a bracelet, earrings, and headband with a central medallion, all of gold. A small figure of Atlas supports the arm of her elaborately carved chair that originally was lacquered a deep lustrous red. The instrument she plays is not a simple lyre, but a gilded kithara, a large concert instrument played by Apollo and professional musicians. Behind the seated woman stands a small girl wearing a sleeveless purple chiton. She, too, is adorned with a gold headband, bracelet, and loop earrings. Like portrait figures, the woman and the girl gaze directly at the spectator.
Most recently it has been suggested that the pair may represent a Macedonian queen, or princess, and her daughter or younger sister. The gilded kithara and richly adorned, thronelike chair, as well as the carefully rendered gold jewelry and headbands, give the impression of royal personage. Whatever the exact subject, this painting and others in the villa were admired as excellent copies of Hellenistic art that emphasized the erudition and worldliness of the villa's owner.
The Villa of P. Fannius Synistor at Boscoreale: A Virtual Tour
Artwork Details
- Title: Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale
- Period: Late Republican
- Date: ca. 50–40 BCE
- Culture: Roman
- Medium: Fresco
- Dimensions: Overall: 73 1/2 x 73 1/2in. (186.7 x 186.7cm)
- Classification: Miscellaneous-Stone
- Credit Line: Rogers Fund, 1903
- Object Number: 03.14.5
- Curatorial Department: Greek and Roman Art
Audio
1252. Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale
0:00
0:00
We're sorry, the transcript for this audio track is not available at this time. Please email info@metmuseum.org to request a transcript for this track.
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.