Pentecost from a set of The Passion
With subtlety and dexterity, this tapestry's weavers- who apparently used the monograms AR and ICM- borrowed, enlarged, reversed, and added color to Hans Schäufelein’s design for the Pentecost woodcut in Ulrich Pinder’s Speculum Passionis, published in 1507.
This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Albrecht Dürer, Hans Baldung Grien, Martin Schongauer and Hans Wechtlin, as well as by Schäufelein. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century.
This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Albrecht Dürer, Hans Baldung Grien, Martin Schongauer and Hans Wechtlin, as well as by Schäufelein. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century.
Artwork Details
- Title: Pentecost from a set of The Passion
- Artist: Design based on a woodcut by Hans Schäufelein (German, Nuremberg ca. 1480–ca. 1540 Nördlingen)
- Artist: published by Ulrich Pinder (German, active 1493–before 1519) in "Speculum passionis domini nostri..." (1507)
- Maker: Unidentified Weaver's Mark (ICM)
- Maker: and Unidentified Weaver's Mark (AR)
- Date: 1592
- Culture: German, Alsace, possibly Strasbourg
- Medium: Wool, silk, metal thread (20 warp threads per inch, 8 per cm.)
- Dimensions: 39 1/2 x 29 3/4 in. (100.3 x 75.6 cm)
- Classification: Textiles-Tapestries
- Credit Line: Gift of J. Pierpont Morgan, 1911
- Object Number: 11.148.2
- Curatorial Department: European Sculpture and Decorative Arts
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.