Moon flask
This vase is of the oriental moon-flask form, but with spheroid rather than flattened sides. It is printed on both sides in underglaze blue with Doulton's spray design and overlaid, on one side, with the willow-pattern plate design and, on the other, with a cluster of exotic fruit. These motifs are set asymmetrically upon the surfaces in the Japanese manner of dynamic interplay between occupied and empty space.
The blue decoration was transfer printed, and stencils cut with the same patterns were used for the gilt ornament. Around the cylindrical neck we see in gold the same fruit as appear on one side in blue, and the border around the willow-pattern plate design is echoed in gilt on the raised strap that demarcates the boundaries of the two sides. The four feet, although contracted in form, are derived from those of prehistoric Chinese bronzes.
The piece has on the bottom a barely legible, impressed mark, apparently for Pinder Bourne and Company of Burslem, Staffordshire. This interesting company exhibited in international exhibitions before it was merged with Doulton's of London in 1878, and this flask is presumably an example of the continuance of some successful Pinder Bourne designs for a period after the merger. The same form in smaller sizes, however, was used from the early 1880s through the early 1890s in the art studios of Doulton's in Lambeth, where it was decorated by such hand painters as Hannah Barlow, Esther Lewis, and Mary Denley.
Many of the features of this vase are assembled in a unique manner and never appeared in either Japanese or Chinese arts in exactly the same way. For instance, moon flasks were normally flat sided, with a rectangular base and tall, narrow neck. Our piece is eclectic in form and design and is an expression of the continuing fascination for Japanese art.
The blue decoration was transfer printed, and stencils cut with the same patterns were used for the gilt ornament. Around the cylindrical neck we see in gold the same fruit as appear on one side in blue, and the border around the willow-pattern plate design is echoed in gilt on the raised strap that demarcates the boundaries of the two sides. The four feet, although contracted in form, are derived from those of prehistoric Chinese bronzes.
The piece has on the bottom a barely legible, impressed mark, apparently for Pinder Bourne and Company of Burslem, Staffordshire. This interesting company exhibited in international exhibitions before it was merged with Doulton's of London in 1878, and this flask is presumably an example of the continuance of some successful Pinder Bourne designs for a period after the merger. The same form in smaller sizes, however, was used from the early 1880s through the early 1890s in the art studios of Doulton's in Lambeth, where it was decorated by such hand painters as Hannah Barlow, Esther Lewis, and Mary Denley.
Many of the features of this vase are assembled in a unique manner and never appeared in either Japanese or Chinese arts in exactly the same way. For instance, moon flasks were normally flat sided, with a rectangular base and tall, narrow neck. Our piece is eclectic in form and design and is an expression of the continuing fascination for Japanese art.
Artwork Details
- Title: Moon flask
- Designer: Designed by Henry Slater
- Manufactory: Pinder, Bourne & Co.
- Decorator: Doulton Manufactory (British)
- Date: ca. 1878–82
- Culture: British, Burslem, Staffordshire
- Medium: Lead-glazed earthenware, transfer-printed and gilt
- Dimensions: Height: 13 5/8 in. (34.6 cm)
- Classification: Ceramics-Pottery
- Credit Line: Purchase, Robert L. Isaacson Gift, 1988
- Object Number: 1989.7
- Curatorial Department: European Sculpture and Decorative Arts
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