Miniature secretary incorporating a watch

Entrepreneur James Cox British
ca. 1766–72
On view at The Met Fifth Avenue in Gallery 512
Bejeweled butterflies and flowers that tremble in the slightest breath of air adorn this whimsical object, which plays tunes on a hidden music box and incidentally tells the time. The spring mechanism that powers the music is wound by inserting a key into a hole hidden behind one of the rosettes near the bulls that support the cabinet. The movement has a verge escapement, and the gilded back plate with its wheel balance and cock set with paste jewels is visible through a glass fitted to the back of the case.

Based on actual European Rococo cabinet designs, but with some improbable additions, the miniature is known to have been in the collection of Princess Z. M. Youssoupof in Saint Petersburg in 1904, and although it has been said to have been taken from China after the Boxer Rebellion in 1899, it may, in fact, have been imported into Russia long before.

Artwork Details

Object Information
  • Title: Miniature secretary incorporating a watch
  • Entrepreneur: James Cox (British, ca. 1723–1800)
  • Date: ca. 1766–72
  • Culture: British, London
  • Medium: Case: agate, with gold mounts, gilded brass, pearls, and paste jewels set in silver; Dial: white enamel; Movement: wheel balance and cock set with paste jewels
  • Dimensions: Overall (confirmed): 12 1/8 × 5 3/4 × 4 1/8 in. (30.8 × 14.6 × 10.5 cm)
  • Classification: Metalwork-Gold and Platinum
  • Credit Line: Gift of Admiral F. R. Harris, in memory of his wife, Dena Sperry Harris, 1946
  • Object Number: 46.184a–c
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Cover Image for 413. Retail Value: High and Low

413. Retail Value: High and Low

Gallery 512

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NARRATOR: You’re looking at a case chock full of gloriously excessive goodies. Take them in. Just imagine: You’ve never had the opportunity to see such a wealth of choices in your price range. It's eighteenth century London and throngs of people are joining in an exciting new pastime: shopping– the result of Britain’s exploding economy. As historian and novelist Tobias Smollett described shortly thereafter:

TOBIAS SMOLLETT: Commerce and manufacture flourished again, to such a degree of increase as had never been known to the island: but this advantage was attended with an irresistible tide of luxury and excess.

NARRATOR: As if overnight, a shiny sea of “toy shops” opened on London's main thoroughfares around St James’s, Bond Street, and Pall Mall. Rather than selling toys for children, these were for adults: wondrous, shiny, often purposeless objects made solely for amusement and delight.

This renaissance in retail laid the groundwork for how we shop today. It’s not what we need, but what we want, available at diverse “price points. Consider, here, the gold and silver clocks by the luxury manufacturer James Cox. Or how about one of these more affordable makeup cases, scent bottles, or model figurines? Do you prefer a playful design—a candy dish in the shape of a man’s head or a nest of bluebirds? Or obscene opulence, like a gold snuffbox decorated with scenes from antiquity? Admit it–you’re tempted.

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