Side Chair
In the early nineteenth century, no form of ancient furniture was imitated as successfully as the Greek klismos. Known through its depiction on Greek vases and fragments of relief-carved marbles, the chair is distinguished by its spare, elegant lines and sweeping, curved rear stiles surmounted by a broad, deeply curved tablet. Reflecting on the perfection of Greek works of art in 1812, the British furniture designer George Smith wrote that every attention “was evidently given to produce a flowing and correct outline; and so to arrange the parts in masses, that the whole should appear clear and distinct . . . and it is this happy relief, this rejection of little parts, that gives their works so chaste and pleasing an effect.” At their best, nineteenth century American klismos chairs strive for such perfection.
Artwork Details
- Title: Side Chair
- Maker: John Philip Fondé (American, 1794–1831)
- Date: c. 1816
- Geography: Probably made in Philadelphia, Pennsylvania, United States; Possibly made in Baltimore, Maryland, United States
- Culture: American
- Medium: Painted and gilded ash, eastern white pine and white oak with reproduction moiré
- Dimensions: 23 1/8 x 18 1/4 x 21 1/4 in. (58.7 x 46.4 x 54 cm)
- Credit Line: Anonymous Gift, 1963
- Object Number: 63.143
- Curatorial Department: The American Wing
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Multiple artists/makers
ca. 1808
Joseph B. Barry and Son
1810–15
Anthony G. Quervelle
ca. 1830
American
1880–85
Daniel Pabst
Frank Furness
ca. 1873–76
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