Dress
Madeleine Vionnet was a consummate technician, particularly known for her innovative use of the bias cut and the mathematically precise construction of her garments. Minimalist by philosophy, Vionnet's construction details were often executed so as to create decorative effects, obviating the need for any trimming. Here, she uses intricate pleating to both shape the overblouse and add an interesting surface texture that changes when the fabric is released at the hip. In combination with the two-tiered skirt, the full effect of the graduated silhouette is reminiscent of the stepped features found in Art Deco architecture.
Artwork Details
- Title: Dress
- Design House: House of Vionnet (French, active 1912–14; 1918–39)
- Designer: Madeleine Vionnet (French, Chilleurs-aux-Bois 1876–1975 Paris)
- Date: ca. 1927
- Culture: French
- Medium: silk
- Credit Line: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Mrs. Edward G. Sparrow, 1969
- Object Number: 2009.300.1346a, b
- Curatorial Department: The Costume Institute
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House of Vionnet
Madeleine Vionnet
1924
House of Vionnet
Madeleine Vionnet
ca. 1936
House of Vionnet
Madeleine Vionnet
fall/winter 1929–30
House of Vionnet
Madeleine Vionnet
early 1930s
House of Vionnet
Madeleine Vionnet
ca. 1931
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