The Oak Door
The carvings and illustrations with which Pope began his artistic career usually portrayed living birds and animals. William Michael Harnett’s accomplishments apparently inspired him to attempt trompe-l’oeil (“deceive the eye”) still lifes in the 1880s. This work, a trophy of the hunt, depicts with extraordinary accuracy a Remington Arms rifle, a crocheted game bag, and a dead ring-necked pheasant. Rather than simulating the grain of an oak door, Pope painted on an oak panel, added a matching oak frame, and delineated Renaissance Revival hinges, an escutcheon of Chippendale design, and a lion’s-head pull.
Artwork Details
- Title: The Oak Door
- Artist: Alexander Pope (American, Dorchester, Massachusetts 1849–1924 Boston, Massachusetts)
- Date: 1887
- Culture: American
- Medium: Oil on oak
- Dimensions: 50 x 41 in. (127 x 104.1 cm)
- Credit Line: Arthur Hoppock Hearn Fund, 1965
- Object Number: 65.168
- Curatorial Department: The American Wing
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.