Alexander Anderson
Alexander Anderson (1775–1870) was born in New York and educated at Columbia University, where he received a degree in medicine in 1796. He was active for many years as a doctor before giving up the practice of medicine in 1798 after losing many friends and family members to a yellow fever epidemic. He then became active as the first important wood engraver in the United States, producing thousands of woodblocks in the course of the next sixty years. He engraved book illustrations, stamps, paper currency, soap wrappers, labels for nostrum bottles, newspaper mastheads, wrappers for playing cards, and other pictorial designs. In addition, he and Jarvis collaborated on book illustrations and political caricatures, as well as on a death mask of the political revolutionary Tom Paine (New-York Historical Society). A certificate accompanying the portrait when given to the Museum noted that Jarvis painted the picture in 1815 and that it had remained in the possession of the family of the sitter until purchased by Robert Hoe. The painting's current state is due to four attempts to remove overpaint applied in the 1890s. The sitter's lively and direct gaze, a characteristic of Jarvis's best work, has been preserved.
Artwork Details
- Title:Alexander Anderson
- Artist:John Wesley Jarvis (American (born England), South Shields 1780–1840 New York)
- Date:1815
- Culture:American
- Medium:Oil on canvas
- Dimensions:34 x 27 in. (86.4 x 68.6 cm)
- Credit Line:Gift of Robert Hoe Jr., 1881
- Object Number:81.16
- Curatorial Department: The American Wing
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.
